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**brraverishhh** · 11-03-2011, 04:45 AM

Title song: hey chinna poongatru thaalatta. Raja's voice plays with your heart like it was his violin string. And he hints the first interlude of Azhagiya Kanne in the first interlude here. That interlude captures the helplessness but small happiness of Ashwini's situation. Ofcourse, TM has its own musical motifs and BGM. But, Raja is a character here. He is there. You don't see hom but You knowhe is there. You don't pay attention to him but all the while he is occupying your mind as much as what you are watching on screen. Probably, it is Raja who tilts the scales for me. His craft is at a higher peak here. Yes, it is raw, it being only his third year in TF. But that suits Udhiri PookkaL in a way that the organised, tight-orchestrating latter day Raja cannot.

11-03-2011, 04:45 AM	#29
brraverishhh Join Date Jan 2006 Posts 5,127 Senior Member	Title song: hey chinna poongatru thaalatta. Raja's voice plays with your heart like it was his violin string. And he hints the first interlude of Azhagiya Kanne in the first interlude here. That interlude captures the helplessness but small happiness of Ashwini's situation. Ofcourse, TM has its own musical motifs and BGM. But, Raja is a character here. He is there. You don't see hom but You knowhe is there. You don't pay attention to him but all the while he is occupying your mind as much as what you are watching on screen. Probably, it is Raja who tilts the scales for me. His craft is at a higher peak here. Yes, it is raw, it being only his third year in TF. But that suits Udhiri PookkaL in a way that the organised, tight-orchestrating latter day Raja cannot.
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