[doctorzlo]

that’s just the feel, thankfully, and not the content, which is blessedly homegrown, and which appears to have been cultivated under the shadow of Ilayaraja. When I watched the numerous references to the maestro’s music in Subramaniyapuram, I figured it was because the film was set in the eighties. But what, then, explains the O papa laali ringtone in Pasanga, or the prelude of Paadavandhadhor gaanam being employed to underscore a romantic moment? In a similarly reverential vein, the equally contemporary Kungumapoovum Konjumpuraavum features, in quick succession, Vandhanam vandhanam, Paattaale buthi sonnaar, Velakku vacha nerathile, Solam vedhakkayile, Aaha vandhiruchu and Ore naal unai naan.
நாம அடிக்கடி இங்க சொல்லுறத ஒரு பெரிய விமர்சகரும் சொல்லுறார்