[vladekad]

TORI AMOS
A PIANO: THE COLLECTION
(RHINO)
Released: September 2006

A

• Leather (Alternate Mix)
• Precious Things (Alternate Mix)
• Silent All These Years
• Upside Down
• Crucify (Unedited Single Version)
• Happy Phantom
• Me and a Gun
• Flying Dutchman (Alternate Mix)
• Girl
• Winter
• Take To The Sky (Russia)
• Tear In Your Hand
• China
• Sweet Dreams
• Mother (Alternate Mix)
• Little Earthquakes

B

• Cornflake Girl
• Honey
• Take Me With You
• Baker Baker (Alternate Mix)
• The Waitress (Alternate Mix)
• Pretty Good Year
• God
• Cloud On My Tongue
• Past the Mission (Alternate Mix)
• Bells for Her
• Yes, Anastasia (Alternate Mix)
• Blood Roses
• Mr. Zebra
• Caught a Lite Sneeze (Alternate Mix)
• Professional Widow (Merry Widow Version – Live)
• Beauty Queen / Horses
• Father Lucifer
• Marianne

C

• Walk To Dublin (Sucker Reprise)
• Hey Jupiter (Dakota Version)
• Professional Widow (Armand’s Star Trunk Funkin’ Mix)
• Putting The Damage On
• Bliss (Remixed Version)
• Suede
• Glory Of The 80s
• 1000 Oceans
• Concertina (Single Remix Version)
• Lust
• Datura
• Sugar (Live from sound check)
• The Waitress (Live)
• Snow Cherries from France
• Doughnut Song (Remixed Version)

D

• A Sorta Fairytale
• Not David Bowie
• Amber Waves
• iieee (Remixed Version)
• Playboy Mommy (Remixed Version)
• The Beekeeper
• Jackie’s Strength
• Zero Point
• Sweet the Sting
• Ode To My Clothes
• Spark
• Intro Jam / Marys of the Sea
• Cruel” (Remixed Version)
• Dolphin Song
• Gold Dust

E

• The Pool
• Never Seen Blue
• Daisy Dead Petals
• Beulah Land
• Sugar
• Cooling
• Bachelorette
• Black Swan
• Mary (Tales Version)
• Peeping Tommi
• Toodles Mr. Jim
• Demo Medley:
• Fire-Eater’s Wife/Beauty Queen (Demo)
• Playboy Mommy (Demo)
• A Sorta Fairytale (Demo)
• This Old Man
• Purple People
• Here. In My Head
• Hungarian Wedding Song
• Merman
• Sister Janet
• Home On The Range
• Frog On My Toe

Any time you get an opportunity to put something out, I’m in the mind that you seize the project with both hands. And I’m not one to give the record company my blessing and do what [they] think is best. I don’t think that anybody knows what’s best except the composer or the midwives of the songs themselves. I had access to all the material since 1990, and my goal was to try and retain the integrity of everything. When you’re putting together a work of this magnitude, [the songs] all have to work together. I wanted to have some kind of story—a payoff denouement for each record. ____