The artist's consciousness is only incidental. (What is consciousness anyway?) That's the equivalence I'm drawing between the unconscious layers in the creative process of bad films and good films
Are his films consciously chauvinist? (Let's just say I tell him that they are. What would be his reaction?) Probably not. Do I care? Hell, no. Some films just don't cut it for whatever reasons. Why? Is it because the filmmaker wants it to be so? No. Surely, Cheran wants his films to be sensitive? But to the viewer (that is, me), it makes no difference.