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Old 12-06-2009, 05:52 AM   #16
soipguibbom

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Nov 2005
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542
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Originally Posted by equanimus Yes, and well, I don't think there's any need to.
This is also a 'binary'. Knowledge of the intention sometimes (often) enhances the experience of the viewer. Never 'ndgreengaLA ? No, I had said that specifically in response to the quoted line in your post. There's no need to be sure about how he intended I receive the works. But in general, it's indeed very valuable to know what the artist had in mind even when if he's simply going to say, "well I thought it looked good," or, "please don't bother me."

Surely you would agree acquaintance with alternative perspectives of others sometimes leads better appreciation of the work. This is true when the 'other' is just a somebody hazarding a guess. So it as much, if not even more, true when that somebody happens to be the author himself.
Yes, completely agree.

To me, it didn't seem to be because of any "commercial compromises" at all.
In some ways that is what is worrying. Isn't it. When Kamal is making Dasavatharam we know he is not writing with "all that he has". And when he laughs all the way to the bank that is pretty much its own scary argument. But with NK - Bala is indeed writing with all he has (now, from where do we get such notions !). That is why the chinks are held up for disproportionate scrutiny and doubt. No, actually I gave 'dasAvathAram' as a far better (or should I say worse?) example, in that I just can't come to terms with the sloppy writing for whatever reasons. I can see that Kamal didn't mean to write it with all that he has, but surely, all of it was not about Kamal laughing all the way to the bank? The musings on God, religion and what not, nothing worked for me. I think it failed on all fronts. (I'm able to brush it all aside easily because I didn't expect much out of it to begin with.)

For all my bits of disappointment about the failures of 'nAn kadavuL,' I think it's a stellar film.
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