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**nAKMzyBN** · 06-17-2007, 10:26 PM

ARANAAZHIKA NAERAM
DIRECTOR K S SETHU MADHAVAN
STORY PAARAPPURATHU
MUSIC DEVARAJAN
LYRICS VAYALAR
CAMERA MELLI IRANI
PRODUCTION MANJILAS
CAST: -TTARAKKARA, SATHYAN, NAZIR, ADOOR BHASI, RAGINI, K P UMMAR, SHEELA, AMBIKA, MEENA.
The gloomy saga of a decadent family as witnessed through the eyes of the grand old Patriarch-Kunjochanam (kottarakkara). We come across an interesting cross section of the family members and are given an insight into the various aspects of their family life. After witnessing many a tragedy and ups and downs the octogenarian is struck with paralysis and loses his power of speech. He then he suffers the rudest shock of his life when he sees his daughter in law carry an affair with an opium dealer. The opium dealer poisons him for fear of their secret being let out if ever he regains his speech. The film ends with the guilt ridden daughter in law committing suicide.

IRUTTINDE ATMAVU
THE SOUL OF DARKNESS
DIRECTOR P BHASKARAN
STORY M T VASUDEVAN NAIR
MUSIC BABURAJ
LYRICS P BHASKARAN
CAMERA E N BALAKRISHNAN
PRODUCTION SONY PICTURES
CAST PREM NAZIR, THIKKURISSI, P J ANTONY, T S MUTTHAIH, BALAJI, CHANDRAN, SHARADA AND USHA KUMARI
Velayudan’s existence poses a problem to all the members of typical Nair joint family. Though he is in early 20s mentally he is a child.
The head of the joint family Velayudan symbolizes the curse which hangs heavy over the house. To his mother he is source of constant sorrow.
His uncle daughter is his bride to be. He is attached to her. She is very kind to him and refuses to treat him as a mad man.
Velayudan triggers problems one after the other and every new lapse help only to put fresh chains. He refuses to feel he is mad.
In the end Ammukutty his would be bride is given away in marriage to an old widower. He surrenders himself and yells “Chain me I am mad”

RANDIDANGAZHI (TWO MEASURES)
DIRECTOR P BHASKARAN
STORY THAKAZHI
MUSIC MADHAVAN NAIR
CAMERA M S MANI
PRODUCTION NEELA
CAST KUMARI, P J ANTONY, D S MUTHIAH, TIKKURISSI, KOTTAKKARA

This film is an authenetic account of the plight of laborers in Kuttanad the peasant movement, the central character Koran and his struggle to assert the legitimate rights of the peasants.
Koran lands up in the fold of tyrannical land lord Yusuf. KORAN ORGANIZES peasant movement to meet the demands encounters a lot of hardships and emerges victorious. The film is a bold comment on the social inequalities of the feudal set up.

YAVANIKA (THE CURTAIN)
DIRECTOR K G GEORGE
SCREEN PLAY S L PURAM
CAMERA RAMACHNADRAN BABU
MUSIC M B SREENIVASAN
PRODUCTION CAROLINA FILMS
CAST GOPI, MAMMOTTY, VENU NAGA VALLI, VENU. TILAKAN JAGATHI, ASHOK
WHAT HAPPENED TO AYYAPPAN THE TABLA PLAYER OF THE BHAVAN TOURING THEATRE GROUP?
The film is not only a thriller but also analyzes the psychological exploration of character and dramatic conflict. It gives a miving account of actors and actress and the sense of closeness and claustrophobia in which they live out their lives.

06-17-2007, 10:26 PM	#12
nAKMzyBN Join Date Oct 2005 Posts 496 Senior Member	ARANAAZHIKA NAERAM DIRECTOR K S SETHU MADHAVAN STORY PAARAPPURATHU MUSIC DEVARAJAN LYRICS VAYALAR CAMERA MELLI IRANI PRODUCTION MANJILAS CAST: -TTARAKKARA, SATHYAN, NAZIR, ADOOR BHASI, RAGINI, K P UMMAR, SHEELA, AMBIKA, MEENA. The gloomy saga of a decadent family as witnessed through the eyes of the grand old Patriarch-Kunjochanam (kottarakkara). We come across an interesting cross section of the family members and are given an insight into the various aspects of their family life. After witnessing many a tragedy and ups and downs the octogenarian is struck with paralysis and loses his power of speech. He then he suffers the rudest shock of his life when he sees his daughter in law carry an affair with an opium dealer. The opium dealer poisons him for fear of their secret being let out if ever he regains his speech. The film ends with the guilt ridden daughter in law committing suicide. IRUTTINDE ATMAVU THE SOUL OF DARKNESS DIRECTOR P BHASKARAN STORY M T VASUDEVAN NAIR MUSIC BABURAJ LYRICS P BHASKARAN CAMERA E N BALAKRISHNAN PRODUCTION SONY PICTURES CAST PREM NAZIR, THIKKURISSI, P J ANTONY, T S MUTTHAIH, BALAJI, CHANDRAN, SHARADA AND USHA KUMARI Velayudan’s existence poses a problem to all the members of typical Nair joint family. Though he is in early 20s mentally he is a child. The head of the joint family Velayudan symbolizes the curse which hangs heavy over the house. To his mother he is source of constant sorrow. His uncle daughter is his bride to be. He is attached to her. She is very kind to him and refuses to treat him as a mad man. Velayudan triggers problems one after the other and every new lapse help only to put fresh chains. He refuses to feel he is mad. In the end Ammukutty his would be bride is given away in marriage to an old widower. He surrenders himself and yells “Chain me I am mad” RANDIDANGAZHI (TWO MEASURES) DIRECTOR P BHASKARAN STORY THAKAZHI MUSIC MADHAVAN NAIR CAMERA M S MANI PRODUCTION NEELA CAST KUMARI, P J ANTONY, D S MUTHIAH, TIKKURISSI, KOTTAKKARA This film is an authenetic account of the plight of laborers in Kuttanad the peasant movement, the central character Koran and his struggle to assert the legitimate rights of the peasants. Koran lands up in the fold of tyrannical land lord Yusuf. KORAN ORGANIZES peasant movement to meet the demands encounters a lot of hardships and emerges victorious. The film is a bold comment on the social inequalities of the feudal set up. YAVANIKA (THE CURTAIN) DIRECTOR K G GEORGE SCREEN PLAY S L PURAM CAMERA RAMACHNADRAN BABU MUSIC M B SREENIVASAN PRODUCTION CAROLINA FILMS CAST GOPI, MAMMOTTY, VENU NAGA VALLI, VENU. TILAKAN JAGATHI, ASHOK WHAT HAPPENED TO AYYAPPAN THE TABLA PLAYER OF THE BHAVAN TOURING THEATRE GROUP? The film is not only a thriller but also analyzes the psychological exploration of character and dramatic conflict. It gives a miving account of actors and actress and the sense of closeness and claustrophobia in which they live out their lives.
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