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#21 |
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You just need to watch an interview to see him bubbling with passion about film-making, bursting with ideas, energy, film-history which he seems obviously struggling to channelize. I'm surprised you rate Reservoir Dogs at the bottom of your list... it's the only film by Tarantino that I liked... I haven't seen Death Proof... but even my friend, who's a big fan of Tarantino, said that the film was disappointing... so I don't think I missed anything by not watching the film. I agree that some aspects of his films are good, but seriously, when I watch a film, I look for a plot that keeps me engrossed... Reservoir Dogs had such a plot, but I felt that his other films were completely lacking in substance... I guess it's a matter of varying tastes... |
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#22 |
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Well... yes, I saw an interview with him a long time ago... yes, he certainly seems to have a lot of passion for film-making... but that doesn't make him a great director... I'm surprised you rate Reservoir Dogs at the bottom of your list... it's the only film by Tarantino that I liked... ...when I watch a film, I look for a plot that keeps me engrossed... Reservoir Dogs had such a plot... I guess it's a matter of varying tastes... I watched it in a lonesome balcony in Regal Cinema: South Bombay. (weekday afternoons are for grad students). Recommended by a classmate who was shocked I dind't know the name Tarantino. It was a ride from the word go. From the epigraph to punchline. The close-up shot of the bride being shot in mid-sentence is peerless in its abruptness. Great scene after great scene packed with great line after great line. I grew restless about the fact that I was a two hour commute away from starting a conversation about the film with my recommender. The music, the pacing, the execution of stunt sequences apart, it was easy to be interested in the characters (mind you the film keeps you under wraps on what is it that she is avenging, or to be be precise what is it that led to the assault, which she is avenging). The craft aspects, the chapterization, the distinct look,feel (pacing) of each of the chapters all apart, what I enjoyed was the nonchalance in terms of plot. (I guess this is what put lot of people off). A notepad and ticking off people is throwing the "what-next" of plot based storytelling at the viewer ![]() The dialogues are not showy (as style over substance detractors imply) but really flesh things out. Eg. the conversations with Hattori Hanzo present so many shades of his personality. And some that just gasp at the inexplicability of it all "what she lacked in age, she made up for in madness". Every subsequent viewing has not been about discovering new things. It has been about reliving the thrill of the intial viewing. It heads the list. |
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#23 |
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#25 |
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#26 |
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#27 |
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Revisited few scenes of kill bill 1
The whole sequence of crazy 88 Uma thurman travel via flight,licy liu travelling in the car with her people,the bride travelling in the yellow bike,the licy liu gang walking in to the club, and then the fight sequence! Three soundtracks in this sequence and the way the sequence is picturised and choreographed ![]() It gave me goosebumps and i dont remember any sequence in any film as entertaining as this whole sequence. |
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#28 |
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#29 |
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#30 |
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#32 |
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http://www.asiaarts.ucla.edu/081128/...arentID=101273
Maggie Cheung November 28, 2008: News Bites By APA Staff Maggie Cheung joins Tarantino, Hollywood remakes The Host, and Sammo Hung fights monkeys. All this and more in the latest edition of News Bites. Maggie Cheung to join cast of Quentin Tarantino's Upcoming Film Maggie Cheung, one of Hong Kong's most respected actresses, has accepted a role in Quentin Tarantino's new film Inglorious Bastards, where she plays a cinema owner. Her lines will be all in French. According to The Hollywood Reporter: "Two story lines... converge: One follows a group of prisoners-turned-soldiers whose mission is to take down a group of Nazis, and the other follows a young Jewish woman who seeks to avenge the death of her parents by this Nazi group." Inglorious Bastards boasts the largest cast of characters of any of Tarantino's films to date. With Brad Pitt, Samuel L. Jackson, Diane Kruger and Mike Myers on board, Inglorious Bastards is currently filming in Germany and France. Hopes are that the film will be completed in time for release at the Cannes Film Festival in May 2009. --Kristie Hang It's getting better and better ![]() |
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#33 |
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http://www.channelnewsasia.com/stori...399763/1/.html
Quentin Tarantino's World War 2 epic to open in August Posted: 02 January 2009 1257 hrs LOS ANGELES : Controversial - that’s the word which comes to mind when one mentions the name Quentin Tarantino. And it's no different this time round as the film director will give audiences his take on World War II, in his soon to be released film titled, “Inglourious Basterds”. And no, if you’re wondering, that isn’t a spelling error. The director’s oddly spelled epic stars several A-list Hollywood actors including Brad Pitt, Diane Kruger and Christoph Waltz and is set to be released on August 21, it was announced on Wednesday. Production for the film started in Europe in October 2008. The story begins when Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hands of Nazi Colonel Hans Landa (Waltz) and manages to narrowly escape to Paris. There, she forges a new identity as the owner and operator of a cinema. Shosanna’s plan for revenge soon converges with German actress and undercover agent Bridget Von Hammersmark (Kruger), and US Lieutenant Aldo Raine (Pitt), who organises a rebellion group of Jewish soldiers, also known to their enemy as “The Basterds”. It has been reported that Tarantino’s “Inglourious Basterds” borrows from what are known as Spaghetti Westerns or Italian-made films from the 1960s and 70s that combine brutal violence and lyrical, fairytale-like qualities in a twist from Hollywood cowboy movies. The film in itself, however, draws inspiration from the 1978 World War II movie “Quel maledetto treno blindato,” also called “The Inglorious Bastards,” from Italian director Enzo Castellari. This will be the first film that the 45-year-old has directed single-handedly since his martial arts epic sequel, “Kill Bill: Vol 2”, in 2004, which grossed a whopping US$152 million world wide. The American film director’s last project was a combined feature in 2007, called “Grindhouse”, made with director Robert Rodriguez. While some critics may come down hard on Tarantino’s supposed trivialised and stylised violence, the director has a rather devoted fan base and has received numerous awards. With “Inglourious Basterds” poised to be ready in time for the Cannes Festival this year, fans can only wait and see if Tarantino can strike gold once again with his latest film. "Pulp Fiction" not only earned him the Oscar in 1994, it also the snagged the Palme d’Or at Cannes. Jointly presented by The Weinstein Company and Universal Pictures, there is no official date at the moment for the international release of “Inglourious Basterds”. |
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#37 |
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#38 |
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Would still give the benefit of the doubt to QT of course. His casting has always been inspiring. But likes of Eli Roth ( ![]() |
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#40 |
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