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#21 |
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#22 |
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I don't think she has, has she? I know she is not pleased with The Line, The Cross, and The Curve, but I've never heard anything negative from her about the album itself. |
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#23 |
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#24 |
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Just my opinion, but I believe Kate thinks she didn't hit the note she wanted to with this album, because she doesn't defend it. She thought The Dreaming was the best thing she'd ever done at the time, in spite of the negative reaction (EMI almost refused to release TD). One of the opinions I totally agreed with in the Under the Ivy bio was that Kate has always been willing to risk looking ridiculous in the pursuit of her work. I think a lot of people find TRS ridiculous, as opposed to, say, HoL. And I'm not a creative person, but I can imagine how it must feel to have managed to pull off something as cohesive as HoL, then you go back in the studio with further brilliant ideas and they just don't seem to gel well enough.
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#25 |
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She thought The Dreaming was the best thing she'd ever done at the time Did she say that? I remember her saying that TD was her mad "look at me, I'm an artist!" album, as if she felt she went over the top with that one.
The reason the album (TRS) is quite simply produced without gimmicky experimentation is that Kate probably wanted to tour this album and it would have been easy to adapt the songs into live versions. Can't find the source for this but I'm almost certain it was brought up somewhere... |
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#26 |
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Did she say that? I remember her saying that TD was her mad "look at me, I'm an artist!" album, as if she felt she went over the top with that one. |
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#27 |
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#28 |
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Picture it. Sacramento. 1993. My family had just moved to California right before TRS was released. My parents were excited because a couple old friends were stationed on the same AFB and they threw a Christmas party for everyone, new friends included. (My parents make friends fast, and keep them for life. They are famous for their parties. LOL) Anyway, this guy who worked in my Dad's office was so excited to see the music I was playing in the background outside. (Enya, Sarah McLachlan, Annie Lennox, Cyndi Lauper, The Cranberries... you get the picture.
![]() Anyway, the feelings of being a 13 year old at Christmas, crushing on this hot (closeted) military man, listening to The Red Shoes like we were sharing something no one else could possibly understand... it comes right back to me whenever I play this album. ![]() |
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#30 |
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#31 |
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She did say they called it her "she's gone mad" album. But to quote the recent article in Uncut magazine, "If Bush was disappointed at the public reaction to The Dreaming, she remained stubbornly sure of its merits, declaring it her favourite album, the first occasion where she'd come close to hearing her ambitions reflected back at her." It adds that she was aware after TD that she needed to deliver something not only artistically satisfying, but commercially viable. I am super psyched for the listening parties to start again. It seems that with all the parties I'd have enjoyed being part of at the other place I had the horrid luck of not knowing about until the day after. ![]() |
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#32 |
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#33 |
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#34 |
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#35 |
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I don't know a lot of things behind album histories and words of Kate about them, but.... |
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#36 |
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#37 |
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#40 |
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