CarrieSexy |
04-14-2011 07:30 AM |
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Yeah, it sure will (BTW, it's not that it's moving too quickly—it's just that the tilts/pans/movements are too sharp). And soap operas are only shot 5.97 FPS faster than movies (in the US)—imagine how strange a feature film at 48fps is going to look. Ugh.
I'm not sure I really grasp the point of shooting The Hobbit at 48fps. The more you reduce motion blur, the less natural a film looks to the human eye. And ironically enough, filmmakers have been striving for years to find affordable digital equipment that allows them to shoot at 24fps vs. the common 29.97 NTSC framerate. Why? because those extra frames cheapen the shot and eliminate the cinematic feel.
I really wouldn't be surprised if the camera work in The Hobbit ends up reminding people of a made-for-tv B-movie.[no]
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I agree with this 100%
Remember when they would release a movie stright to TV and it would be shot in NTSC (or PAL) interlaced (which is similar to watching either 60 or 50fps, but not really?). There was always something about those films that looked 'cheap' regardless of how much effort or budget they put into it. Like a Stephen King mini-series. The 24fps used in most films has been embedded in our psyche for over 75 years, and even with today's 'motion flow' televisions, the footage just looks cheap. You will be hard pressed to find any other directors as keen as Jackson to abandon 24fps in favour of anything higher.
I think the trouble with Jackson is, he is clutching at straws to find the next big thing, and ever since getting his hand on the Red Epic (the camera they will be shooting the film in, in 5K as well!) he has gotten a bit carried away.
Edison, back when cinema was young wanted all films to be shot at 48fps. The reason why it was not adopted was because of cost, and because it was simply not necessary. Cameron wanted to use it for Avatar, but only because it would make his 3D look better, which I can sort of agree with.... but for normal 2D cinema, it will look horrible.
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