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#2 |
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#4 |
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http://musicandnoise.blogspot.com/20...-music_22.html
A northindian music composer reviews ARR. It's bit long yet a must read for all ARR and neutral fans. Not many days you get such a lucid review. |
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#5 |
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The 50s saw the great composer G.Ramanathan like a monarch.
The magnificient 60s had the 2 great duo MSV-TKR ruling for long During this period, there was KVM also , another great Then MSV solo from 65 to 77 Isainyani took over then. Dominated like a champion up to 93 -94 From 94 , the era of ARR , Isai puyal So, which decade was the best ever in terms of quality . Lets discuss here Hope all fan groups participate without degrading the other MDs. ![]() |
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#6 |
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I wish to classify each eras for the music they delved in.
50s - Carnatic,Pure tamil music with drama like orchestration. 60s - Western format of orchestration for tamil music. 70s - Semi classical and melody rule. IR era - Western classical music and other genres fused with indian music. ARR era - Western modernised music and other genres using indianised tunes. |
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#7 |
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The 50s saw the great composer G.Ramanathan like a monarch. ARR era is From 1993 (Though his roja released on 1992) In 1993 , he gave Pudhiya mugam,Gentleman,Thiruda Thiruda,Uzhavan,Kizhakku seemaiyle. In these films , most of the songs were hit |
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#9 |
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#10 |
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Nakkeran, ARR-ukku thittu vaangi kudukkaama neenga thoongamaatteenga pola irukku......
![]() ![]() ![]() coming back to the topic, i guess we shuld consider the trends only........though MSV gave some beautiful albums after 76' it was IR's trend only dominating.......same way since 92 till now its ARR trend.........i dont think HJ and u1 have created a significant change in sounds since 92........ ![]() Tamilians are generally conservative (thats my observation....pls dont bash me ![]() ![]() this is strictly my opinion |
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#11 |
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#12 |
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coming back to the topic, i guess we shuld consider the trends only........though MSV gave some beautiful albums after 76' it was IR's trend only dominating I too feel that MSV era was reaching its end by late 70s and thats why I have put 77 as the point of conclusion. Though Ninaithale inikkum came in 79 ? or 80 ? Also, most of the faithfulls crossed over to IR camp I heard and deserted MSV . 79 & 80 were all IR . I thought IR was dominant during 92 &93 also though ARR was forging ahead . More noof movies & some good numbers were heard during this phase. By 94, ARR became the leader with his new trend of music ![]() |
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#13 |
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Nakkeran, ARR-ukku thittu vaangi kudukkaama neenga thoongamaatteenga pola irukku...... ![]() these tamilians went on to hear hindi songs greatly before ilayaraja's entry!...ilayaraja made them turn towards tamil! |
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#17 |
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#19 |
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though im not there during IR's era... but wut i heard from my dad [a hardcore IR fan ] ,again, im telling base on the experience in Malaysia..... he could see young malay dudes dancing to Chikku Bukku Raile in the streets and in shows.... and that was during 1993...such thing NEVER happened to a tamil song B4 !!!! and the list continued with mukala,oorvasi,antha arabic kadal , ALL KADHAL DESAM SONGS, ALL fast paced songs from LOVE bird, Minsara Kanavu, manam virumbathe, sembarathi poove, and some Deva's numbers and it goes on untill Shakallaka Baby & the last a tamil song was popular down my place was September Madham & SNEGHIDENE [YES!!,dun be shocked]
after that,no tamil songs were popular among chinese & malays here, not even any ARR numbers after 2000... but yea...BOYS again changed the whole story...and then its back to square 1 now!!! but i see now Munbe Vaa is atracting many chinese here.... u would know wut i mean if u check under HARRIS JEYARAJ's Latest Album..... ![]() with this...i would proudly say ITS ARRAHMAN's ERA THAT is GOLDEN ERA in tamil filmdom!!!!!!!!!!!!!!!!!!! ![]() ![]() ![]() ![]() |
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#20 |
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