[TorryJens]

Movie was OK. Time pass movie but not comparable to Naadodigal.

[Fegasderty]

something must be there....... had it started?......... slow....... borali........ somethings coming...... picks up...... mmm...... not bad. atleast there was some story.

[tgs]

something must be there....... had it started?......... slow....... borali........ somethings coming...... picks up...... mmm...... not bad. atleast there was some story.

ennanga solla varinga? Padam pathutingala?

[Fegasderty]

Saw the movie WTF! sasikumar and co excel in exploitation genre

[9mm_fan]

As expected. Buggers.

[Peptobismol]

Mokka blade comedy,Verithanama kazhuthu arukura scenes, senseless bashing, and the most irritating part was blaady preachy dialaaks from the dhaadiwala . The most shocking aspect was ppl were clapping and cheering for this he does have a fan base i guess.

[HedgeYourBets]

His vekka padum sirippu - puke

[Slonopotam845]

Porali - Fight to the finish- not a dull moment Porali

Can violence and humour be effectively juxtaposed? They can, says Porali (U/A). Can a film touch upon social consciousness and still be a thriller? It's possible, says its director Samudirakani. The astute twosome of director-actors, Sasikumar and Samudirakani, who had earlier come up with issue-based knots that made you sit up, do it again in Porali. Only that they've done it all too noisily. Nearly all characters scream at the top of their voices most of the time and adding to their din is Sundar C. Babu's resounding score! Yet, thanks to Samudirakani's riveting screenplay, Porali doesn't dodder.

A kaleidoscope of actors stomp the screen, and except a few of those who appear in the flashback, all the characters have been clearly etched. Vested with individuality, they make a mark, but prominent among them is Prof. Gnanasambandham, a familiar face on many a literary forum.

Playing the owner of a few shelters in a complex, he is equally comfortable on the big screen. The boozer in the building, the young girl, the cringing husband (Badava Gopi), the cantankerous wife (Sandra), the wastrel, each has a distinct trait. In fact, Gopi and Sandra would have been funnier if they hadn't been so unbearably loud. And the same goes for the heroine, Swathi. Why is her decibel level so high? Otherwise it's a cute role executed well. Nivedha as Tamizhchelvi is a homely face — her expressive eyes appeal. But the actor who steals the segment she appears in is Vasundhara, in a cameo. She plays Maari, the girl who fears none.

Now to the hero! As Kumaran, an intelligent do-gooder, Sasikumar, who is steadily evolving as an actor, is apt. Gone is the rawness you noticed in his performance in Subramaniapuram, his maiden. Of course, the Tamil accent can be worked on even harder , and that applies to a couple of other actors too. It's a commendable comeback for Naresh after his lacklustre debut some years ago. The part of Nallavan fits him like a glove. The story has many strands, and each is given a logical end.

Kumaran is a young man raring to go — though uneducated and rustic, he creates opportunities where none exists, even as he is escaping from the quagmire of avarice that threatens to gobble him up all over again. But this time he is going to turn around and retaliate. Will the enemy withstand the attack?
After a few inane appearances, Kanja Karuppu and Suri get roles with substance in Porali, and they do justice to them. But how come Karuppu doesn't know about his friend Naresh's past? Or does he? And such bloody mayhem in the city, but not a policeman in sight!

Samudirakani deserves accolades on various grounds, including the crispness in his dialogue. But he ought to be rewarded for two — two pairs of lovers but the film has no duets! The heroine is a dancer in films but not a single shot of her footwork is seen! Very intelligently, the makerhas discarded appendages the viewer can do without.

Kani's Nadodigal was an engaging running game. Porali is a different kind of chase, but again absorbing enough.

Genre: Sentiment
Director: P. Samudirakani
Cast: Sasikumar, Naresh, Swathi, Nivedha, Vasundhara
Storyline: An astute fighter who can take on a large, greedy group
Bottomline: Once again the S combo works

- Malathi Rangarajan -http://www.thehindu.com

[brraverishhh]

ennanga solla varinga? Padam pathutingala?

andha rendarai mani nerathu mana oattatthai dhaan eludhirukken...

[LottiFurmann]

ஆனந்த விகடன்.
as given 43 MARKS

[Slonopotam845]

porali was good movie.was racy and the mental patients angle was well done.very very good work by samuthirakani

[Peptobismol]

porali was good movie.was racy and the mental patients angle was well done.very very good work by samuthirakani

which one you watched first Osthi or Poraali?

[Paul Bunyan]

Gnanavel talks about Poraali Movie

Poraali.jpg

[Beerinkol]

Few laughs in the first half, couple of smart scenes, pretty good acting overall (Samu rangekku). Vera onniyum solradhukkillai. 2nd half was torchal. There is this Anti-SL dialogue too. But lot subtler than 7am arivu. Bala (Avan Ivan) has been the best so far w.r.to this.

Saw this in Sathyam Kovai. What a beety the theater is. Fantastic and in fact slightly better than the best of USA. Seats mattum US better.

[Slonopotam845]

Saw this.

I don't believe Sasikumar is just an actor in this film. I guess the duo(Sasikumar-SamuthraKani) shuffles directing and acting in alternative films, with Sasi acting as hero.

As nerd said 2nd half is torchal but i was able to bear to some extent. Only that the plot described in 2nd half is wandering here and there, and not a strong one. Lots of distractions, nila abagarippu, minerels, pre-made mentals, that fighter girl etc....And you find that actually there is not at all any strong connection btw 1st and 1nd half. both are mostly separate films.

One thing is, this combo is good at forming scenes, building plots, dialogs etc. Dialogs are sharp and scene planning is very good in 1st half, only to just totally go waste in 1nd half. So the become just show case if his talent, thassaal.

Whatever it is, i got pretty more interested in this duo. but they have to try something totally different and come out of the mould currently they are into.

[doctorzlo]

One thing is, this combo is good at forming scenes, building plots, dialogs etc. Dialogs are sharp and scene planning is very good in 1st half, only to just totally go waste in 1nd half. So the become just show case if his talent, thassaal.

Exactly what happened with Eesan.

[Beerinkol]

25 days

FE_2512_MN_31_Cni_PH_01.jpg

[Lillie_Steins]

There is this Anti-SL dialogue too. But lot subtler than 7am arivu. Bala (Avan Ivan) has been the best so far w.r.to this.

அவன் இவனில் இலங்கையைப்பற்றி யார் என்ன சொன்னாங்கள்?

[9mm_fan]

அவன் இவனில் இலங்கையைப்பற்றி யார் என்ன சொன்னாங்கள்?

A dialogue is there.

Ulagin irandan gandhi yaar? in class room.

Did u nt c?