Reply to Thread New Thread |
![]() |
#2 |
|
|
![]() |
![]() |
#3 |
|
|
![]() |
![]() |
#6 |
|
Still the best record of the year so far. I love it from start to finish. |
![]() |
![]() |
#7 |
|
I think I said this at some point in the previous HOOM discussion, but part of what makes me love this album so much is that it's not Ys 2.0. It seems like she very consciously chose to work with styles, musically and lyrically, that both did something different from Ys but still stayed true to her aesthetic. I've always thought that trying to make a new album without repeating yourself would be hard, but she pulled it off like gangbusters. Yet another leaf in her book of amazing.
![]() |
![]() |
![]() |
#9 |
|
|
![]() |
![]() |
#11 |
|
I am still having a bit of a hard time with disc 3, but I love this album overall. I cannot believe how "You and Me, Bess" has grabbed me. It's sort of the same thing that happened with "Monkey & Bear" before -- I couldn't stand it at first, then it became my favorite.
I wish I liked "Esme" and "Ribbon Bows" more. They're the two I struggle with. I love "Autumn" but it's a bit slow and I have to be in the right mood for it. "Go Long" is, for me, probably the best thing she's ever done. What an amazing song. |
![]() |
![]() |
#13 |
|
|
![]() |
![]() |
#14 |
|
It's a Great & Beautiful Album but I'm not entirely comfortable with it ("yet"). The best songs encapsulate a pitiful sort of devestation so intensely and perfectly that I find myself wary of listening, in the same way I dont find myself spinning Me And A Gun or Tracy Chapman's Behind the Wall all that often - Go Long and Jackrabbits particulary embody this to me. Amazing pieces of music but I have to factor in considerable recovery time after playing them.
Whereas, to illustrate the contrast, Emily and Only Skin can have me in tears but leave me feeling refreshed and soothed by the end. Go Long can have me in tears and then leaves me feeling totally fckin miserable at the end. Which is a different experience. |
![]() |
![]() |
#15 |
|
Whereas, to illustrate the contrast, Emily and Only Skin can have me in tears but leave me feeling refreshed and soothed by the end. Go Long can have me in tears and then leaves me feeling totally fckin miserable at the end. Which is a different experience. I do think there's bitterness in this record that didn't exist on Ys, though. All the songs on Ys, despite their sadness/intensity, have this sort of amazing innocence and sense of wonder to them. I think both records are extraordinary musical/lyrical/artistic statements. |
![]() |
![]() |
#16 |
|
Really? I have never felt "soothed" at the end of Only Skin. I am usually sobbing. LOL! Actually you perfectly describe the differentiation I was groping at in your second paragraph. It's still that innocence and wonder in Ys that I find myself reaching to hear more of, at the moment. |
![]() |
![]() |
#17 |
|
|
![]() |
![]() |
#18 |
|
Still the best record of the year so far. I love it from start to finish. I wish I liked "Esme" and "Ribbon Bows" more. |
![]() |
![]() |
#19 |
|
I got this album when it came out. I haven't listened to it in quite awhile and don't feel the need to.
Songs I love: Kingfisher, Go Long Songs I like: Easy, '81, No Provence The rest I don't remember or just find really boring. So I love/like 5 out of 18 songs? That's not good. Overall, I really love some of her songs (Kingfisher, Go Long, and Emily) but most of them are just boring and long. I guess some people love music without much melody that goes on forever, but I'm not one of them. I don't have a problem with her voice (it's really good on HOOM actually) and her music isn't technically bad or anything, I just don't think she's as good as the Pitchfork crowd makes her out to be. |
![]() |
![]() |
#20 |
|
Music without much melody?
![]() ![]() Also - it's not just the Pitchfork crowd. She's widely considered by critics to be one of the best musicians working today, and she sells out places like the Sydney Opera House and Royal Albert Hall. I know it's a nitpicky thing to say, but this isn't some obscure musician that no one has ever heard of. Granted, she got a lot of attention through Pitchfork, but what well respected indie musician hasn't? |
![]() |
Reply to Thread New Thread |
Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
|