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#1 |
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#4 |
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#5 |
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well, I think it was on @.
I was not a member back then, but I am sure it was posted there. The quality was miserable and there was a girl on the phone with who he talked to. It was very, well disturbing somehow. But I can't remember anymore, honestly. I think I made it through it only one, but somebody definately uploaded it once, that's for sure. And yeah, the girl taped the phone-call |
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#7 |
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#8 |
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#9 |
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I remember the weird phone call. Caton was trying to impress a girl by playing LE and/or YKTR demos for her and taking the credit for her sound-- something like "See?! No piano!"
As much of a douchebag as he apparently is, though, his contributions to her music were always fantastic. Even when it was to inspire a pissed off revenge song like NDB. |
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#10 |
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I would be devastated if a friend and a person with who I've worked with for 20 years would do something like this. That thing was not only that she kicked him and wrote this song afterwards. This is just something you would never expect a friend doing to you, never.
She doesn't even talk about him anymore. Matt & John also never spoke a word about it. It was like he never happend to be in the Tori Amos Band. |
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#11 |
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I would be devastated if a friend and a person with who I've worked with for 20 years would do something like this. That thing was not only that she kicked him and wrote this song afterwards. This is just something you would never expect a friend doing to you, never. No way do I believe that he was doing the shit stuff that's been talked about for just a little while before it was suddenly discovered and then they parted ways. They knew one another from way back in the YKTR days, right? My guess is that she was aware of some of the hijinks and looked past them for whatever reason. Also, it's quite possible they all made an agreement to never say a disparaging thing about one another publicly. And while the title/lyrics are filled with innuendo, that doesn't count. |
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#14 |
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A couple of things: (And then one day he realised that he was getting too old and he wasn't going to get any young girls anymore so he had to convince them with demos and stuff. Ok, I don't know, we're just inventing this, so it's pure fantasy) |
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#15 |
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Sorry for the day early post - cannot do this for a day or two and its after midnight where I am so technically I got the right day!
The song: The lyrics: Vultures in my garden Figures that I know them And it is what it is You were good once Now you're filled with bitterness And it is what it is I cannot forget that he can't forget or that some friends just change like the seasons Take me back to the fact that you're still blaming, but I am not the reason you are not David Bowie Now you want to steal the thoughts that I have been deep in thought and it is what it is How 'bout your soulmate pact with the Devil and needs a date with the surgeon and it is what it is I cannot forget that he can't forget or that some friends just change like the seasons Take me back to the fact that you're still blaming, but I am not the reason you are not David Bowie You forgot to value what all of us have done for you and it is what it is You swore you were concious not a champagne spiritualist and it is what it is I cannot forget that he can't forget or that some friends just change like the seasons Take me back to the fact that you're still blaming, but I am not the reason you are not David Bowie I cannot believe I am doing this song, its not even in my top 10 and some songs people haven't picked yet (Heart of Gold, Crucify, Toast, Sister Janet,, Riot Poof) I was so tempted to do. But I just cannot let this oddity slide. One of the problems with the Beekeeper was the potential of some songs being completely ruined by baby voice, insincerity and/or cheesy production. Its no surprise that the era's best songs were also her most sincere and came from inside - Toast, Beekeeper, Garlands and Not David Bowie. I have no muscial vocabulary but I call this song a "baroque diss-song". The song is bold and angry. It has a driving tribal sounding beat with so much reverb/echo and just builds and builds. And it is clearly about Steve Caton. Bells for Her was about a friendship ending but is sad and ethereal. This is angry and raw - no baby voice in sight. Steve Caton was the perfect compliment to Tori, he provided my favourite non piano moment from Tori on Doughnut Song. And even when "Mac Aladdin" took over - Steve Caton still inspired the best songs. P.S. Body and Soul is the poor man's Not David Bowie. |
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#18 |
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#19 |
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#20 |
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I fucking love this song! I hardly ever listen to it, but whenever it comes on on shuffle, I have to listen to it at least 5 times in a row. I agree this is obviously about Caton. I hope someday we'll hear a song for Mac Aladdin. ![]() NDB is one of the highlights from A Piano! |
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