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#42 |
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#43 |
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#44 |
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You are completely, utterly wrong. Your trying to project your opinion of music onto myself and others. A movie is an art form that brings many arts together so that they work as a whole. Only together they unfold their full potential. I recently listened to the soundtrack of Das Boot (hasnt been mentioned here yet?), which works just awesome with the pictures. But on its own its not that catchy anymore. Some scores do work on their own, like the Braveheart main theme, but that doesnt mean they were intended to stand alone in the first place. |
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#45 |
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No he's not wrong. Taking out the score of a movie and listen to it without the movie, is like watching the actors in front of the green screen, without the implemented CGI. Sure, you can see if they're good actors or bad ones, but they would never get the same reaction from the audience. If some enjoys that style of music the movie is not nessesary. |
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#46 |
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#47 |
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#48 |
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#50 |
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The title is "best use of music in a film" - doesn't matter if it works on it's own as a soundtrack, doesn't matter if it's using a well known tune or is written especially for it - just a question of how effective the blend of film and music is implemented. |
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#51 |
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James Horner James Newton Howard Thomas Newman Klaus Badelt (very similar style to Hans Zimmer, as he was Zimmers' protegé) Alan Silvestri Actually, here's a fun list I compiled, which is a guide as to which of the above composers you would use for your film: Is is a true story of American heroism? - Pick James Horner Go for lots of French horns, choirs and snare drums. Is it an epic adventure with a budget bigger than Ben Hur? - Pick John Williams Soundtrack will outsell movie ticket sales. Is it a modern action, thriller with dark or suspenseful elements? - Pick Hans Zimmer Think epic orchestra, mixed with sequenced electronic kickers for that modern feel. Can't afford Hans Zimmer? - Pick Klaus Badelt Does the film star Johnny Depp or is it directed by Tim Burton (which is often the same thing)? - Pick Danny Elfman. Creepy, quirky and eerie. Sometimes fun. Is your film a psychological thriller, with certain supernatural or sci-fi elements? - Pick James Newton Howard. Mixing old school with new school, and a lot of "jumpy" bits. Is your film an emotional journey, overcoming past demons, or the triumph of the underdog? - Pick Thomas Newman Gentle, emotional, tear jerking yet powerful. Is your film from the 80's or about the 80's? - Pick Alan Silvestri Because you can never get to much Flight of the Navigator! |
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#52 |
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#53 |
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#54 |
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#55 |
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#56 |
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#57 |
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Just throwing in other names and movies.
Nino Rota, who composed the score for the Godfather films and other goodies like Amarcord. http://www.youtube.com/watch?v=us3Kgy52XAg http://www.youtube.com/watch?v=BQvc7Ne5mok John Powell. Electronica awesomeness from the Bourne movies. http://www.youtube.com/watch?v=t53cOiXkyRA& Lalo Schrifin. Mission Impossible theme. http://www.youtube.com/watch?v=l9XO85CF2d4 Ennio Morricone. The Good, Bad, and The Ugly. http://www.youtube.com/watch?v=1hYV-...eature=related |
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