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#2 |
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possibly the sound card? AND im willing to bet alot of the sound your looking for from the distortion from the amp.
________ Soichiro Honda specifications |
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What type of amplifier is it? Tube, transistor or digital modeler? If tube it must be recorded with a mic, due to the fact that the speaker colours the sound you hear. In the worst designed tube amps, the line out is placed before the signal reaches the output stage, thus making it essential to use a speaker emulator (Palmer is best) when recording. Even better designed tube amps with the lineout parallel to the speaker do require some sort of load/emulator.
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#9 |
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What type of amplifier is it? Tube, transistor or digital modeler? If tube it must be recorded with a mic, due to the fact that the speaker colours the sound you hear. In the worst designed tube amps, the line out is placed before the signal reaches the output stage, thus making it essential to use a speaker emulator (Palmer is best) when recording. Even better designed tube amps with the lineout parallel to the speaker do require some sort of load/emulator. |
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#10 |
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If tube it must be recorded with a mic, due to the fact that the speaker colours the sound you hear. In the worst designed tube amps, the line out is placed before the signal reaches the output stage, thus making it essential to use a speaker emulator (Palmer is best) when recording. Even better designed tube amps with the lineout parallel to the speaker do require some sort of load/emulator. ![]() ![]() ![]() And before someone who doesn't know what he's doing: DO NOT DO THAT WITHOUT A POWER ATTENUATOR, you will damage your tube amp. |
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#11 |
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True, but the HotPlate has fixed attenuation levels. Between the lowest (-16dB) and load (dead silent) there's no choices. -16dB makes for very loud noises at midnight with a 100 watter. The Weber MASS is the way to go.
Or for those who (like me) know how to solder; read the tech articles over at Randall Aikens website and make your own attenuator. ![]() |
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#12 |
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True, but the HotPlate has fixed attenuation levels. Between the lowest (-16dB) and load (dead silent) there's no choices. -16dB makes for very loud noises at midnight with a 100 watter. The Weber MASS is the way to go. Amp speaker output -> attenuator -> preamp -> sound card That way you get the overdriven tube signal into your recorded stuff that you then process with impulse signals ![]() |
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#14 |
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Yea, I got that. But then we can't hear very good what it sounds like. Which is sometimes desireable when using certain playing techniques or pedals. Unless the mixer has monitors, of course. ![]() ![]() |
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