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And the Hollywood-death-a-thon continues.... but at least we've returned to the A-list.
http://www.nytimes.com/2009/07/02/mo...malden.html?hp |
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^ what a beautiful clip. And just think kids: once upon a time, long ago and far away, language was used like this:
"He was a boy, just a boy, when I was a very young girl. When I was sixteen, I made the discovery—love. All at once and much, much too completely. It was like you suddenly turned a blinding light on something that had always been half in shadow, that’s how it struck the world for me. But I was unlucky. Deluded. There was something about the boy, a nervousness, a tenderness an uncertainty and I didn't understand... I didn't understand why this boy who wrote poetry didn't seem able to do anything else. He lost evey job. He came to me for help, but I didn't know then. I didn't know anything except that I loved him unendearably. At night I pretended to sleep, but I heard him crying... crying.... crying the way a lost child cries." |
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Hollywood was once loaded with character actors like Karl Malden, who developed their skills on the stage. They were professional, dependable, and made films work. Directors knew what they were getting.
Like Thelma Ritter, who played the nurse in Rear Window. "I want no part of it." |
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^ what a beautiful clip. And just think kids: once upon a time, long ago and far away, language was used like this: He was, like, this guy, ya know? Like when I was a younger hottie at 16 I like Made this discovery. I was SOOO in love! It was, like, ginormous! It was like everything and nothing all wrapped up in my heart. It was like when you are in a dark room and someone like turns the light on and you are all like "HEY! Who is that?" And then you see like the Jonas Brothers like RIGHT THERE and you are like "whoa!". No, REALLY! But wouldn't you know it? I was like so not lucky with this guy. He seemed a bit weird, ya know? He was all like mushy and awkward. I mean, he wrote these really cool song lyrics for me, but he couldn't keep his jobs at the mall, so what is up with that? Jeez, you know? He like would always come to me for help, but I didn't see it back then, you know? I just remember faking being asleep, and he was all like, CRYING, you know? Ya! I cuoldn't believe it. He sounded like a little kid, you know, like when they get lost in the mall and stuff? Yeah. |
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Hollywood was once loaded with character actors like Karl Malden, who developed their skills on the stage. They were professional, dependable, and made films work. Directors knew what they were getting. |
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^ what a beautiful clip. And just think kids: once upon a time, long ago and far away, language was used like this: ![]() I have to admit, there are times on the subway when I have a difficult time understanding people nominally speaking english around me. |
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At less than $1 / episode it's cheaper than downloading (if available).
Mr. Malden was always solid. But there are better showcases for his work other than SOSF, even when aired in German: Die Straßen von San Francisco!! Case in point: On The Waterfront Again with Brando (this time MB was both star & director): One Eyed Jacks KM couldn't really sing, but he was a perfect accomplice for Roz Russell and Natalie Wood in GYPSY He held his own and more when co-starring with the late great Miss Bette Davis in Dead Ringer And he rocked the house in, yes ... Pollyanna ![]() |
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